
This photograph was taken near Mandarmani, in the Medinipur district of West Bengal, at a place locals call Mohna—the point where a river meets the sea.

Life, I’ve come to feel, is not one journey but a composition of many smaller ones. I once tried to articulate this in my own words:
जीवन अनेक छोटी-छोटी यात्राओं में तय की गई दूरियों की एक सम्पूर्ण यात्रा है। एक जीव की यात्रा, एक मनुष्य की यात्रा— प्रतिरोध से स्वीकार तक की, भय, राग और द्वेष से मुक्ति तक की, अज्ञान से ज्ञान की और अहंकार से अहम तक की यात्रा।
Each struggle, each chapter, each personal story is a river. Some run gently, some violently. Some dry up early, some travel far. But all of them move—whether we notice or not—towards a larger becoming.
And like rivers, we too fear certain endings.
Yet every mohna reminds me:
प्रत्येक आरम्भ का एक अंत है, और हर अंत अपने भीतर एक पुनः आरम्भ को समेटे हुए है। जीवन से मृत्यु तक की असंख्य यात्राएँ— आरम्भ और अंत की एक शृंखला हैं, जो जोड़ती हैं प्रारम्भ को अनंत से।
The ocean, then, is not death. It is life enlarged by all that has arrived before. It is becoming, layered with countless journeys that once struggled alone.
When I stand here, watching the water hesitate and merge, watching footprints appear and vanish, I understand why someone said river trembled before it meets ocean—and why it still flowed forward. Fear is not a reason to stop. It is often the sign that something vast awaits.
Mohna doesn’t shout this truth. It simply lets the river arrive.
